To shoot these two monsters on a full moon, like for bullets against werewolves, you need silver-based photography. And don’t bungle it, because Georges Heintz and Rudy Ricciotti never do.
So, here we’ve got architects who don’t say art, culture, progress but rather wrenching away, disobedience, resistance, concentration, struggle, meaning. Students who come close enough to get bit will in turn become wolves, not sheep.
First episode from our collaboration with Philippe Graton and the Wednesday Shot.